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The Sissy's Lament

from Tiny Chair by Wolverton

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    The first of two releases recorded live with Joe Reyes at his home studio, December 2010 - March 2011. The 23 songs of this album and Shores of Erewhon were recorded spontaneously in groups of two or three with Hills on guitar and vocals and Joe on guitars. Some tracks have added instruments and many were single takes.

    "Wolverton’s got some potent, quiet music, and the recordings make you feel like they’re right there, reckoning the quirks of our heritage right alongside them. What it leaves out is as important as what it throws together but is gloriously free of twang or self-conscious neo-traditionalism. Contemplative, affectionate, warm and gently flawed, it’s roots music sans self-importance, and Hills Snyder’s songwriting is witty and doleful and full of unexpected touches; as in 'Guts,' a small song that sounds like deeply personal footnotes to the human epic. You know how in 'Tangled Up In Blue,' you can’t tell whether the time frame is 19th century or Now? Kinda like that."
    Sarah Fisch --- Glasstire

    Slipcase with art by James Cobb

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about

Hills Snyder

lyrics

The Sissy’s Lament

I'm a little sissy from way down south
glasses on my face and candy in my mouth
you don't like my shoes I don't like them either
but why everyday do you have to always be there

I remember swinging in the willow tree
everybody there looked just like me
my feet never really ever touched the ground
you walking away was the only sound

I'm a little sissy from way down south
glasses on my face and candy in my mouth
you don't like my shoes I don't like them either
but why everyday do you have to always be there

the time of day might excuse your crime
your alibi is as thin as a dime
you can blame them or the farmer in the dell
but your misfortune falls on me as well

I'm a little sissy from way down south
glasses on my face and candy in my mouth
you don't like my shoes I don't like them either

credits

from Tiny Chair, released August 31, 2012

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tags

about

Wolverton Magdalena, New Mexico

The core collective is Kate Terrell, Caralyn Snyder, Hills Snyder, our key collaborator, Joe Reyes, and others who come and go, sit in or otherwise join the Wolverton musical family.

Lyrically, Wolverton is unanchored, very visual and moving equally through memory, story, and association, with dark streaks of tradition.
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