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Correio Da Má Noticia

from Tiny Chair by Wolverton

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    The first of two releases recorded live with Joe Reyes at his home studio, December 2010 - March 2011. The 23 songs of this album and Shores of Erewhon were recorded spontaneously in groups of two or three with Hills on guitar and vocals and Joe on guitars. Some tracks have added instruments and many were single takes.

    "Wolverton’s got some potent, quiet music, and the recordings make you feel like they’re right there, reckoning the quirks of our heritage right alongside them. What it leaves out is as important as what it throws together but is gloriously free of twang or self-conscious neo-traditionalism. Contemplative, affectionate, warm and gently flawed, it’s roots music sans self-importance, and Hills Snyder’s songwriting is witty and doleful and full of unexpected touches; as in 'Guts,' a small song that sounds like deeply personal footnotes to the human epic. You know how in 'Tangled Up In Blue,' you can’t tell whether the time frame is 19th century or Now? Kinda like that."
    Sarah Fisch --- Glasstire

    Slipcase with art by James Cobb

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about

Hills Snyder

lyrics

Correio da má Noticia
I ain’t going back to correio da má noticia
I ain’t going to stick my finger
in that rubber and glue
I believe I lost my way
I’ll look for it another day
I’m going to get double undone
and do the double undo
I ain’t going to adore no more
no La Donna Lovista
I ain’t going to find myself
in a monkey town too
I believe you made my day
I don’t know what there is to say
I’m going to find a wonderful way
to work a wonder on you
I ain’t going back to correio da má noticia
I ain’t going to fly my plane
where some funny time flew
I believe I lost my way
I’ll look for it another day
I’m going to find trouble in town
and pay whatever is due

credits

from Tiny Chair, released August 31, 2012

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all rights reserved

tags

about

Wolverton Magdalena, New Mexico

The core collective is Kate Terrell, Caralyn Snyder, Hills Snyder, our key collaborator, Joe Reyes, and others who come and go, sit in or otherwise join the Wolverton musical family.

Lyrically, Wolverton is unanchored, very visual and moving equally through memory, story, and association, with dark streaks of tradition.
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